When Richard Diebenkorn died at the age of seventy-one in 1993, Michael Kimmelman, the chief art critic for the New York Times, wrote that he was “one of the premier American painters of the postwar era, whose deeply lyrical abstractions evoked the shimmering light and wide-open spaces of California, where he spent virtually his entire life.” Adam Gopnik, in the New Yorker, quoted Kimmelman and countered that “if ‘lyrical’ means anything more precise than just ‘nice,’ Diebenkorn was in fact one of the least lyrical painters who have ever lived. There is nothing singing or unimpeded in his best paintings. His Ocean Park landscapes are a daily journal of second thoughts, half-spoken sentences, and reproachful self-corrections … Diebenkorn’s art is never just pretty.”
Diebenkorn was born in Portland, Oregon, in 1922 and grew up in San Francisco. He attended Stanford University for two years, then in 1943 enlisted in the U.S. Marines. After getting out of the service late in 1945, Diebenkorn headed for New York City. Short of funds after a few months, he moved to Woodstock, New York. He returned to the Bay Area in 1947 to live in Sausalito and teach at the California School of Fine Arts (now the San Francisco Art Institute). In 1950 he went to Albuquerque, New Mexico, to get a graduate degree on the GI Bill, then, in 1952, moved to Urbana, Illinois, where he briefly taught. People familiar with Diebenkorn’s work are also familiar with the places where he lived, as he titled his paintings after the locations where he did them.
In the fall of 1953, Diebenkorn returned to the San Francisco Bay Area and settled in Berkeley, where he remained until 1966, when he accepted a faculty position at the University of California at Los Angeles. He lived in Los Angeles, painting his Ocean Park series, until 1988, when he returned to the San Francisco Bay Area to live in Healdsburg. Diebenkorn is influential both as a painter and as a printmaker. He began making prints at Crown Point Press in 1962 and returned regularly to the press until his death. He also made a number of lithographs, most of them at Gemini GEL in Los Angeles.
Diebenkorn’s first one-person museum exhibition was at the California Palace of the Legion of Honor in San Francisco in 1948. In 1976 the Albright-Knox Art Gallery in Buffalo, New York, organized a retrospective that traveled to the Whitney Museum of American Art, New York, and other institutions, and in 1978 Diebenkorn represented the United States in the Venice Biennale. The Museum of Modern Art in New York presented a retrospective of his drawings in 1988, and in 1997 the Whitney Museum mounted a major painting retrospective that traveled to the San Francisco Museum of Modern Art, the Phillips Collection in Washington, DC, and the Modern Art Museum of Fort Worth. His work is in the collections of all of the above museums and many others. The estate of Richard Diebenkorn is represented by the Greenberg Van Doren Gallery, New York.
- Kathan Brown
